Jana | TED Talk: Larry Lessig on laws that choke creativity
Watch the video
Larry Lessig shares three stories:
Lessig begins by examining the 20th century fear that user-generated content will soon be obliterated with the rise of infernal “talking” machines, a concept propagated by John Phillip Sousa who felt the machines would ruin artistic development of music in the country. This read only culture became a serious threat as we deviated from a read-write culture where people participated in the creation and recreation of content. Creativity became top down, where readers were no longer creators. It appeared that we did indeed “lose our vocal chords.”
Secondly, Lessig comments on the ludicrous components of the trespassing land law that granted private ownership of land all the way below the property and indefinitely upward. Such a doctrine had no place in the modern world, and appeals to this law (air traffic example) made no “common sense.”
Thirdly, Lessig discusses broadcasting and how it introduced a new way to spread content. However, ASCAP, the company that controlled broadcast music, inflated their rates to ridiculously high levels. This prompted the formation of a new method of broadcasting, exemplified by BMI, where arrangements of public domain works were distributed for free.
Read the rest of this entry »
This week’s assigned readings came at an ideal time. After a few phone conversations with marketing teams for the Met and ABT and extended research on how companies are making use of new social media, I was still unable to find specific answers to all of my questions. These conversations and readings about building community however caused me to look at Facebook in a new way, and find a new angle for this travelogue.

College students love Facebook. It is truly a website made for the people, by the people. Since its founding in 2004 however, Facebook is no longer a website dedicated solely to college students. It is a global community used by students, parents, and professionals. College students originally went onto Facebook because, as the film The Social Network puts it, “Facebook is cool.” Now Facebook is not only who your friends are and what party you went to, but your identity. It was your social life, online; now it is your entire life online. As Facebook continues to play more and more of a role in defining individuals, users are more cautious about how they present themselves. Read the rest of this entry »
I had started with the idea of looking at the relation between ticket sales and arts organizations’ Facebook popularity, but as you all pointed out in class that seems like a huge task and maybe an impossible one. On one arts marketing blog I was able to find that studies in this area have actually been done already. Yale Repertory Theater d
id a study on the relationship between their Facebook activity and ticket sales. I have tried reaching out to them to get their results, but no luck yet. Check out the blog post here: http://bit.ly/n5RiP and Yale’s Facebook page here: http://www.facebook.com/yalerep.
Since I’ve been having trouble finding any information in regards to ticket sales, I started to look at how non-profit arts organizations use their Facebook pages, and why they seem to be so successful compared to other companies. To keep my focus, I’ve stuck with the Metropolitan Opera and American Ballet Theatre as my non profits and Le Poisson Rouge and Madison Square Garden as my commercial venues. Here’s a breakdown of their Facebook stats:
- Met Opera: 87,996 fans
- ABT: 132,921 fans
- Poisson Rouge: 6,806 fans
- MSG: 373 fans
Read the rest of this entry »