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	<title>Comments for New Media Research Studio SP2</title>
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	<link>http://cultureandcommunication.org/tdm/nmrs/sp2</link>
	<description>A Collaborative Journey in Networked Media Cultures @ NYU (E591029.002, Spring 2011, 40.730376,-73.995112)</description>
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		<title>Comment on Wikipedia and Commons-Based Peer Production by Kyle</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/04/17/wikipedia-and-commons-based-peer-production/#comment-602</link>
		<dc:creator>Kyle</dc:creator>
		<pubDate>Sun, 08 May 2011 23:22:04 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1145#comment-602</guid>
		<description>I trust the information on Wikipedia just as much as I trust the content of anything else. Honestly, no information is pure information and even times when you feel most sure that what you are reading is the truth you could be wrong. A peer website like Wikipedia makes me trust the information more, to be honest, because if everyone has the ability to change or write anything on any page then a collective truth can be reached that in a normal encyclopedia isn&#039;t possible. I think the idea of locking pages does nothing but hurt the idea and core of what Wikipedia is about. If a page is constantly being vandalized or changed enough by so many people that Wikipedia wants to lock it, to me it&#039;s a sign that the people changing the article are correct in what they are doing. I feel like that voice speaks more truth about a subject even if it is untrue information.</description>
		<content:encoded><![CDATA[<p>I trust the information on Wikipedia just as much as I trust the content of anything else. Honestly, no information is pure information and even times when you feel most sure that what you are reading is the truth you could be wrong. A peer website like Wikipedia makes me trust the information more, to be honest, because if everyone has the ability to change or write anything on any page then a collective truth can be reached that in a normal encyclopedia isn&#8217;t possible. I think the idea of locking pages does nothing but hurt the idea and core of what Wikipedia is about. If a page is constantly being vandalized or changed enough by so many people that Wikipedia wants to lock it, to me it&#8217;s a sign that the people changing the article are correct in what they are doing. I feel like that voice speaks more truth about a subject even if it is untrue information.</p>
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		<title>Comment on Remix Culture by Danielle Spano</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/05/02/remix-culture/#comment-583</link>
		<dc:creator>Danielle Spano</dc:creator>
		<pubDate>Tue, 03 May 2011 17:17:44 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1232#comment-583</guid>
		<description>The topic of copyright and remix are both very relevant, especially in the field of media, culture and communication. For the TED talk, I feel that artists should be able to have their wowrk available for free public use so lnog that is not used for commercial purposes. This mirrors the copyright laws for recorded music, in that individuals may use a song as long as it is not for commercial uses. So for example, if they were to use it for educational purposes, this would be allowed. While I do think that a strong emphasis should be placed on the “original” content, I also think that remixing and remix culture presents a very interesting take on original content, that allows artists to expand upon the initial works. I do feel that copyright is an important issue in this though, and similar to writing a research paper, proper citation and credit should be given where appropriate.
Similarly, I had to watch RIP: A Remix Manifesto” in my music business class and I found it very interesting. Our first step towards changing the system as it is today involves placing less stringent rules and regulations on using other artists’ work and materials. Like I mentioned previously, I do think it is important to give credit where it is due, but at the same time, individuals should be able to use previously established works freely.</description>
		<content:encoded><![CDATA[<p>The topic of copyright and remix are both very relevant, especially in the field of media, culture and communication. For the TED talk, I feel that artists should be able to have their wowrk available for free public use so lnog that is not used for commercial purposes. This mirrors the copyright laws for recorded music, in that individuals may use a song as long as it is not for commercial uses. So for example, if they were to use it for educational purposes, this would be allowed. While I do think that a strong emphasis should be placed on the “original” content, I also think that remixing and remix culture presents a very interesting take on original content, that allows artists to expand upon the initial works. I do feel that copyright is an important issue in this though, and similar to writing a research paper, proper citation and credit should be given where appropriate.<br />
Similarly, I had to watch RIP: A Remix Manifesto” in my music business class and I found it very interesting. Our first step towards changing the system as it is today involves placing less stringent rules and regulations on using other artists’ work and materials. Like I mentioned previously, I do think it is important to give credit where it is due, but at the same time, individuals should be able to use previously established works freely.</p>
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		<title>Comment on Remix Culture by Kristen Kim</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/05/02/remix-culture/#comment-582</link>
		<dc:creator>Kristen Kim</dc:creator>
		<pubDate>Tue, 03 May 2011 16:38:11 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1232#comment-582</guid>
		<description>I agree with my fellow classmates that remixing does not stifle creativity. People have been making art out of pre-manufactured works of art. Think of the Dadaist, collage artists (e.g. Hannah Hoch), even Andy Warhol. Musicians have been sampling for ages. Take a look at James Murphy of LCD Soundsystem - he is just a clever rip-off, who disguises used beats (are they samples?) under multiple layers so the cited sources aren&#039;t obvious right away. Remix culture is not any different from aforementioned fine artists, it&#039;s just taken into account of the new media and its sharing capabilities. Also, it&#039;s not like we&#039;ve seen a decline of original material because of this. People are still constantly creating, and if anything, it&#039;s very flattering for another artist to take YOUR creation and remix it. So in a way, it encourages original material creators to make even better works of art that would be considered deserving of a remix! It&#039;s a push for the better, in my opinion. That said, I think it&#039;s fine as long as the remix artists don&#039;t use it for commercial purposes.</description>
		<content:encoded><![CDATA[<p>I agree with my fellow classmates that remixing does not stifle creativity. People have been making art out of pre-manufactured works of art. Think of the Dadaist, collage artists (e.g. Hannah Hoch), even Andy Warhol. Musicians have been sampling for ages. Take a look at James Murphy of LCD Soundsystem &#8211; he is just a clever rip-off, who disguises used beats (are they samples?) under multiple layers so the cited sources aren&#8217;t obvious right away. Remix culture is not any different from aforementioned fine artists, it&#8217;s just taken into account of the new media and its sharing capabilities. Also, it&#8217;s not like we&#8217;ve seen a decline of original material because of this. People are still constantly creating, and if anything, it&#8217;s very flattering for another artist to take YOUR creation and remix it. So in a way, it encourages original material creators to make even better works of art that would be considered deserving of a remix! It&#8217;s a push for the better, in my opinion. That said, I think it&#8217;s fine as long as the remix artists don&#8217;t use it for commercial purposes.</p>
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		<title>Comment on Remix Culture by arosen</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/05/02/remix-culture/#comment-581</link>
		<dc:creator>arosen</dc:creator>
		<pubDate>Tue, 03 May 2011 16:11:39 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1232#comment-581</guid>
		<description>I agree with Kevin. I think there is a huge difference between piracy and stealing other people&#039;s ideas for profit and taking something, remixing it, and making it your own. I feel like when someone remixes something, for the most part, people are able to see what the original source is. If not, it doesn&#039;t matter because the user is creating an entirely different entity. I think placing these kinds of laws on remixing are arbitrary and only stifle creativity. Obviously most people can agree it is unfair to the artist to download music illegally or rip it off without giving the artist any credit. But most remixers do not seem to be out to make money off of a concept they found somewhere else, but to use a concept they found as a template to express themselves and create something unique.</description>
		<content:encoded><![CDATA[<p>I agree with Kevin. I think there is a huge difference between piracy and stealing other people&#8217;s ideas for profit and taking something, remixing it, and making it your own. I feel like when someone remixes something, for the most part, people are able to see what the original source is. If not, it doesn&#8217;t matter because the user is creating an entirely different entity. I think placing these kinds of laws on remixing are arbitrary and only stifle creativity. Obviously most people can agree it is unfair to the artist to download music illegally or rip it off without giving the artist any credit. But most remixers do not seem to be out to make money off of a concept they found somewhere else, but to use a concept they found as a template to express themselves and create something unique.</p>
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		<title>Comment on Remix Culture by Kevin</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/05/02/remix-culture/#comment-580</link>
		<dc:creator>Kevin</dc:creator>
		<pubDate>Tue, 03 May 2011 14:49:04 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1232#comment-580</guid>
		<description>I think if people stop worrying about the money and choking creativity, this will not be an issue. The user doesn&#039;t make money off of a video posted on Youtube. Downloading music illegally is an entirely different issue, but simply remixing music for noncommercial purposes is fun and even more creative, I feel. It is taking something that&#039;s already created and looking at it in a new light, expanding on the original purpose and content. It&#039;s fun and done as a hobby. GirlTalk allows his albums to be downloaded for free because he can&#039;t make money off of other artists original work, yet he is still immensely popular. If we let the music speak for itself, we&#039;ll all be fine. 

In order to change the culture we must not criminalize the actions of remixing. If remixers want to be taken seriously, approach the law as it should be approached and show that remixing is not stealing, but expanding, creating, evolving, and enriching the current content they are dealing with. Even though this is, and should be, an amateur hobby, approach the law in a professional way in fighting for the right to express ourselves freely.</description>
		<content:encoded><![CDATA[<p>I think if people stop worrying about the money and choking creativity, this will not be an issue. The user doesn&#8217;t make money off of a video posted on Youtube. Downloading music illegally is an entirely different issue, but simply remixing music for noncommercial purposes is fun and even more creative, I feel. It is taking something that&#8217;s already created and looking at it in a new light, expanding on the original purpose and content. It&#8217;s fun and done as a hobby. GirlTalk allows his albums to be downloaded for free because he can&#8217;t make money off of other artists original work, yet he is still immensely popular. If we let the music speak for itself, we&#8217;ll all be fine. </p>
<p>In order to change the culture we must not criminalize the actions of remixing. If remixers want to be taken seriously, approach the law as it should be approached and show that remixing is not stealing, but expanding, creating, evolving, and enriching the current content they are dealing with. Even though this is, and should be, an amateur hobby, approach the law in a professional way in fighting for the right to express ourselves freely.</p>
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		<title>Comment on Everyone&#8217;s a STAR!!!! by Elizabeth</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/04/24/everyones-a-star/#comment-579</link>
		<dc:creator>Elizabeth</dc:creator>
		<pubDate>Tue, 03 May 2011 14:24:51 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1191#comment-579</guid>
		<description>Sorry for the late comment--I read your post last week and just realized I forgot to actually respond to it. I&#039;m really excited to see where you guys end up with this project, and I think the video will be great! I really like your question &quot;Is the internet a platform to launch any quality ‘art’? &quot; It&#039;s interesting to compare this project to the one you guys (I think it was you, right) did on MySpace. Clearly some people with talent are able to stand out amongst all the crazy on the internet. 

Also, like Janna, I&#039;m interested by the idea of Rebecca Black being a millionaire, apparently. Where is this money coming from? And what is ARK getting out of it? Their business model is a mystery to me. They&#039;re brilliant getting parents to pay for their kids to become &quot;stars,&quot; but what happens after that? If a kid&#039;s video fails is that the end?

Anyway, this looks like it&#039;ll be great. Hope your research is going well!</description>
		<content:encoded><![CDATA[<p>Sorry for the late comment&#8211;I read your post last week and just realized I forgot to actually respond to it. I&#8217;m really excited to see where you guys end up with this project, and I think the video will be great! I really like your question &#8220;Is the internet a platform to launch any quality ‘art’? &#8221; It&#8217;s interesting to compare this project to the one you guys (I think it was you, right) did on MySpace. Clearly some people with talent are able to stand out amongst all the crazy on the internet. </p>
<p>Also, like Janna, I&#8217;m interested by the idea of Rebecca Black being a millionaire, apparently. Where is this money coming from? And what is ARK getting out of it? Their business model is a mystery to me. They&#8217;re brilliant getting parents to pay for their kids to become &#8220;stars,&#8221; but what happens after that? If a kid&#8217;s video fails is that the end?</p>
<p>Anyway, this looks like it&#8217;ll be great. Hope your research is going well!</p>
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		<title>Comment on Remix Culture by Elizabeth</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/05/02/remix-culture/#comment-578</link>
		<dc:creator>Elizabeth</dc:creator>
		<pubDate>Tue, 03 May 2011 14:17:56 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1232#comment-578</guid>
		<description>I don&#039;t think remixing stifles creativity at all. I&#039;m pretty sure it was Martha Graham (who is considered to be a pioneer in originating modern dance and developing new techniques) who said that &quot;The greatest artists know how to steal.&quot; Meaning that everyone takes from everyone. Remixing is just talking the old and making it new or taking something current and looking at it in a new way. Like Tom said, remixed music, images, etc. aren&#039;t necessarily jokes that will end up becoming memes all over the internet. In fact, it&#039;s possible for a remix to revive a song or artists by making a piece of work new to audiences again. 

So on to the next point. The issue behind copyright laws and free downloading is always tricky for me because it brings up the question of what is the purpose of art? Should art be made to make a profit or should it be free to the public for general enjoyment? I did some research on this last fall and artists all have different opinions. You have people like Lily Allen protesting free downloading wanting to send everyone who hasn&#039;t paid for her music to jail, while I think it was Pink and Jennifer Lopez who said that they&#039;re flattered by so many people downloading their music because it means people are taking the time to listen to it. They say they want anyone to have access to their music, regardless of their economic situation. But then again, Pink and JLo aren&#039;t really hurting for cash. Also with bands releasing free/pay what you can albums online (Radiohead, etc.) how can you expect consumers to be willing to pay for all their music? If one person is giving it away for free then we want everyone to. 

For as long as people have been creating any kind of art, people have been copying and recreating--even before the internet. It&#039;s just that now with all of the remixes being available to millions of people online, artists, or rather the lawyers of the labels, feel the need to defend themselves.  If John Phillip Sousa&#039;s people singing songs out on porches were around today and posted videos of themselves on YouTube, I bet they&#039;d get sued too.

Sorry--that was not the most coherent comment, but hopefully everything makes sense :)</description>
		<content:encoded><![CDATA[<p>I don&#8217;t think remixing stifles creativity at all. I&#8217;m pretty sure it was Martha Graham (who is considered to be a pioneer in originating modern dance and developing new techniques) who said that &#8220;The greatest artists know how to steal.&#8221; Meaning that everyone takes from everyone. Remixing is just talking the old and making it new or taking something current and looking at it in a new way. Like Tom said, remixed music, images, etc. aren&#8217;t necessarily jokes that will end up becoming memes all over the internet. In fact, it&#8217;s possible for a remix to revive a song or artists by making a piece of work new to audiences again. </p>
<p>So on to the next point. The issue behind copyright laws and free downloading is always tricky for me because it brings up the question of what is the purpose of art? Should art be made to make a profit or should it be free to the public for general enjoyment? I did some research on this last fall and artists all have different opinions. You have people like Lily Allen protesting free downloading wanting to send everyone who hasn&#8217;t paid for her music to jail, while I think it was Pink and Jennifer Lopez who said that they&#8217;re flattered by so many people downloading their music because it means people are taking the time to listen to it. They say they want anyone to have access to their music, regardless of their economic situation. But then again, Pink and JLo aren&#8217;t really hurting for cash. Also with bands releasing free/pay what you can albums online (Radiohead, etc.) how can you expect consumers to be willing to pay for all their music? If one person is giving it away for free then we want everyone to. </p>
<p>For as long as people have been creating any kind of art, people have been copying and recreating&#8211;even before the internet. It&#8217;s just that now with all of the remixes being available to millions of people online, artists, or rather the lawyers of the labels, feel the need to defend themselves.  If John Phillip Sousa&#8217;s people singing songs out on porches were around today and posted videos of themselves on YouTube, I bet they&#8217;d get sued too.</p>
<p>Sorry&#8211;that was not the most coherent comment, but hopefully everything makes sense <img src='http://cultureandcommunication.org/tdm/nmrs/sp2/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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		<title>Comment on Remix Culture by tommers</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/05/02/remix-culture/#comment-577</link>
		<dc:creator>tommers</dc:creator>
		<pubDate>Tue, 03 May 2011 12:47:31 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1232#comment-577</guid>
		<description>The internet is not some evil, creativity-crushing machine! There will always be someone who wants to create his/her own product -- maybe they feel it&#039;s missing in popular culture or maybe they want to create for the sake of creation or maybe something entirely different -- and someone who wants to innovate upon or revive/ remix something already in existence.  Why NOT allow individuals to express themselves artistically so long as they do not try to pass off another&#039;s work as their own or attempt to make money off of it?  

I mean, &quot;real&quot; musicians (signed to a label) steal other artists&#039; work all the time, but record labels hold their tongues?  For example, Green Day&#039;s album &quot;American Idiot&quot; plundered more or less wantonly many of Iggy Pop&#039;s guitar riffs and repackaged/ sold them as a wholly new, original product.   What about when a band plays a &quot;cover&quot; of another song in its own particular style?  That sounds a lot like remixing to me.  

Suffice to say, I don&#039;t think anyone is trying to stifle creativity here, and not everything is bound to lose itself in recursive jokes/meanings (like reddit, tumblr, and /b/).  

I also agree with the notion that everything&#039;s more or less been done before so the only way to truly innovate is to look at what people have done in the past and reconfigure it in a way no other person might have thought to attempt.</description>
		<content:encoded><![CDATA[<p>The internet is not some evil, creativity-crushing machine! There will always be someone who wants to create his/her own product &#8212; maybe they feel it&#8217;s missing in popular culture or maybe they want to create for the sake of creation or maybe something entirely different &#8212; and someone who wants to innovate upon or revive/ remix something already in existence.  Why NOT allow individuals to express themselves artistically so long as they do not try to pass off another&#8217;s work as their own or attempt to make money off of it?  </p>
<p>I mean, &#8220;real&#8221; musicians (signed to a label) steal other artists&#8217; work all the time, but record labels hold their tongues?  For example, Green Day&#8217;s album &#8220;American Idiot&#8221; plundered more or less wantonly many of Iggy Pop&#8217;s guitar riffs and repackaged/ sold them as a wholly new, original product.   What about when a band plays a &#8220;cover&#8221; of another song in its own particular style?  That sounds a lot like remixing to me.  </p>
<p>Suffice to say, I don&#8217;t think anyone is trying to stifle creativity here, and not everything is bound to lose itself in recursive jokes/meanings (like reddit, tumblr, and /b/).  </p>
<p>I also agree with the notion that everything&#8217;s more or less been done before so the only way to truly innovate is to look at what people have done in the past and reconfigure it in a way no other person might have thought to attempt.</p>
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		<title>Comment on Remix Culture by janakalnina</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/05/02/remix-culture/#comment-571</link>
		<dc:creator>janakalnina</dc:creator>
		<pubDate>Tue, 03 May 2011 07:57:33 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1232#comment-571</guid>
		<description>I think we as a class must remember that when we sample other people&#039;s work for the purpose of contributing to remix culture, we are creating something out of it that is our own. This is different than having other people&#039;s work available purely for free download. Though I am in no way against content being free to download (because who doesn&#039;t love that?), I think it is important that we differentiate the purpose of having content in the public domain. Simply absorb/enjoy for no cost, or actually do something creative with it?</description>
		<content:encoded><![CDATA[<p>I think we as a class must remember that when we sample other people&#8217;s work for the purpose of contributing to remix culture, we are creating something out of it that is our own. This is different than having other people&#8217;s work available purely for free download. Though I am in no way against content being free to download (because who doesn&#8217;t love that?), I think it is important that we differentiate the purpose of having content in the public domain. Simply absorb/enjoy for no cost, or actually do something creative with it?</p>
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		<title>Comment on Need Fashion Advice? There&#8217;s an App for That! by arosen</title>
		<link>http://cultureandcommunication.org/tdm/nmrs/sp2/2011/04/25/need-fashion-advice-theres-an-app-for-that/#comment-564</link>
		<dc:creator>arosen</dc:creator>
		<pubDate>Sun, 01 May 2011 15:40:34 +0000</pubDate>
		<guid isPermaLink="false">http://cultureandcommunication.org/tdm/nmrs/sp2/?p=1211#comment-564</guid>
		<description>It seems like your travelogue is moving in a really interesting direction, and I love the idea of posting an identical outfit on each different site to see how the responses differ. I feel like being that your subject is so visual that you could make a really cool collage video with a narrative or something to present it. 

I think Hannah&#039;s comment is interesting in that it is great that everybody is so positive in these communities, but do people really want an honest critique of their outfits or do they just want positive reinforcement so they can feel flattered and good about themselves? It might be intriguing to see if you could get any insight from the users about this: whether when they post comments if they do it to be nice or actually give true opinions of others outfits. If everybody is positive all the time, doesn&#039;t that defeat the original purpose of the websites? Can&#039;t wait to see what you guys come up with!</description>
		<content:encoded><![CDATA[<p>It seems like your travelogue is moving in a really interesting direction, and I love the idea of posting an identical outfit on each different site to see how the responses differ. I feel like being that your subject is so visual that you could make a really cool collage video with a narrative or something to present it. </p>
<p>I think Hannah&#8217;s comment is interesting in that it is great that everybody is so positive in these communities, but do people really want an honest critique of their outfits or do they just want positive reinforcement so they can feel flattered and good about themselves? It might be intriguing to see if you could get any insight from the users about this: whether when they post comments if they do it to be nice or actually give true opinions of others outfits. If everybody is positive all the time, doesn&#8217;t that defeat the original purpose of the websites? Can&#8217;t wait to see what you guys come up with!</p>
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