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	<title>Comments on: IMAKEMADBEATS! PT. DEUX</title>
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	<link>http://cultureandcommunication.org/f09/tdm/h-man/imakemadbeats-pt-deux/</link>
	<description>Graduate class in (new) Media (networked) Culture and (distributed) Communication @NYU</description>
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		<title>By: harlo</title>
		<link>http://cultureandcommunication.org/f09/tdm/h-man/imakemadbeats-pt-deux/comment-page-1/#comment-482</link>
		<dc:creator>harlo</dc:creator>
		<pubDate>Tue, 13 Oct 2009 22:04:52 +0000</pubDate>
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		<description>What I&#039;m about to say is incredibly sentimental, but this travelogue reminds me of what musicoligists and hip-hop activists have been saying all along: black music has always been at the forefront of technology by its appropriation of existing technologies and putting them to innovative new uses.  the blog-as-mixtape idea is yet another example.  Years ao it was digital sampling techniques, rewind a few decades and hip hop invented turntablism, go back a few more decades to the serendipidous marriage of the electric guitar to bluegrass melody, even jazz broke throught the constraints of formalize melodic structures...</description>
		<content:encoded><![CDATA[<p>What I&#8217;m about to say is incredibly sentimental, but this travelogue reminds me of what musicoligists and hip-hop activists have been saying all along: black music has always been at the forefront of technology by its appropriation of existing technologies and putting them to innovative new uses.  the blog-as-mixtape idea is yet another example.  Years ao it was digital sampling techniques, rewind a few decades and hip hop invented turntablism, go back a few more decades to the serendipidous marriage of the electric guitar to bluegrass melody, even jazz broke throught the constraints of formalize melodic structures&#8230;</p>
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