Difference between revisions of "Plaque portrait"

Revision as of 21:12, 7 December 2010

Definition: Plaque[1]

–noun

• 1. A thin, flat plate or tablet of metal, porcelain, etc., intended for ornament, as on a wall, or set in a piece of furniture.
• 2. An inscribed commemorative tablet, usually of metal placed on a building, monument, or the like.
• 3. A platelike brooch or ornament, esp. one worn as the badge of an honorary order.

(Cited, plaque. (n.d.). Dictionary.com Unabridged. Retrieved December 04, 2010)

The Aesthetic of Portrait

From the perspective of psychoanalysis, Lacan’s theory takes a place on the most far-reaching theories: “The mirror stage.” Before beginning with the briefly illustration of Lacan’s theory, the first thing is how people construct themselves in cognition and how to illustrate ‘the self’ and ‘the other’ to be specific the subjectivity and objectivity. The most far-reaching theory in psychoanalysis – which is the mirror stage – is about the formation: “the forming of and I, of an identity.” (Gallop, 1983:119)

According to Gallop (1983), “the mirror stage is a turning point. After the subject’s relation to himself is always mediated through a totalizing, unified concept – a division between an inside and an outside – there is no ‘self’ before the mirror stage.”(120-121) In this notes, Gallop asserts “It is a turning point in chronology of a self, but it is also the origin, the moment of constitution of that self.” (121)

In addition, the moment of formation itself is one of the constituent foundations to build up the development of portrait. Moreover, the mirror stage would be the first moment to realize self and the other and promotes the first historical sketch on the portrait.