http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&feed=atom&action=historyMultiphone - Revision history2024-03-28T10:47:20ZRevision history for this page on the wikiMediaWiki 1.25.2http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=12615&oldid=prevFinnb: Undo revision 12540 by Egugecuge (Talk)2010-11-24T12:27:07Z<p>Undo revision 12540 by <a href="/deadmedia/index.php/Special:Contributions/Egugecuge" title="Special:Contributions/Egugecuge">Egugecuge</a> (<a href="/deadmedia/index.php?title=User_talk:Egugecuge&action=edit&redlink=1" class="new" title="User talk:Egugecuge (page does not exist)">Talk</a>)</p>
<a href="http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=12615&oldid=12540">Show changes</a>Finnbhttp://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=12540&oldid=prevEgugecuge at 04:32, 24 November 20102010-11-24T04:32:13Z<p></p>
<a href="http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=12540&oldid=10453">Show changes</a>Egugecugehttp://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=10453&oldid=prevJha264 at 18:04, 4 October 20102010-10-04T18:04:02Z<p></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
<col class='diff-content' />
<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 18:04, 4 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L59" >Line 59:</td>
<td colspan="2" class="diff-lineno">Line 59:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Sound Cloud-Based Streaming: A Modern Application ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Sound Cloud-Based Streaming: A Modern Application ==</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Image:music-cloud.jpg|300px|right|thumb| An artistic representation of sound cloud technology]]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Today, the Internet has change the music industry irreversibly, record sales continue to decline and digital downloads are growing, but not at a high enough rate to satisfy many executives.  Due to this shifting landscape of musical consumption, many alternative ways of purchasing have been proposed.  One of these new purchasing methods, sound cloud-based streaming is very similar in concept to the Multiphone, Theatrophone and Electrophone's use of telephone lines to broadcast music from one centralized source.  New sound cloud-based streaming is essentially the same idea, but wireless and obviously with much greater capacity.  This new method would allow customers stream music on demand from a sound cloud onto a mobile device such as an iPhone, iPad, or Blackberrt, which would be enable them to tap a music library much larger than what can be stored on the device itself very similar to the way Multiphone users communicated with disc jockeys in the Shyvers music library in Seattle during the 1930s.  Industry executives hope that this method will enable users to continue to purchase content, as they feared that consumers would slow down their purchasing due to the limitations that come with downloading music directly to a mobile device.  Many different streaming services have been available for mobile devices such as Rhapsody, but most notably Apple was rumored to be creating a new cloud-based iTunes update this past summer, due to its acquisition of the music streaming website LaLa.  Despite these rumors, the latest update of iTunes does not feature a new cloud based-streaming feature for mobile devices.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Today, the Internet has change the music industry irreversibly, record sales continue to decline and digital downloads are growing, but not at a high enough rate to satisfy many executives.  Due to this shifting landscape of musical consumption, many alternative ways of purchasing have been proposed.  One of these new purchasing methods, sound cloud-based streaming is very similar in concept to the Multiphone, Theatrophone and Electrophone's use of telephone lines to broadcast music from one centralized source.  New sound cloud-based streaming is essentially the same idea, but wireless and obviously with much greater capacity.  This new method would allow customers stream music on demand from a sound cloud onto a mobile device such as an iPhone, iPad, or Blackberrt, which would be enable them to tap a music library much larger than what can be stored on the device itself very similar to the way Multiphone users communicated with disc jockeys in the Shyvers music library in Seattle during the 1930s.  Industry executives hope that this method will enable users to continue to purchase content, as they feared that consumers would slow down their purchasing due to the limitations that come with downloading music directly to a mobile device.  Many different streaming services have been available for mobile devices such as Rhapsody, but most notably Apple was rumored to be creating a new cloud-based iTunes update this past summer, due to its acquisition of the music streaming website LaLa.  Despite these rumors, the latest update of iTunes does not feature a new cloud based-streaming feature for mobile devices.</div></td></tr>
</table>Jha264http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=10447&oldid=prevJha264: /* Rise and Demise */2010-10-04T17:56:34Z<p><span dir="auto"><span class="autocomment">Rise and Demise</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
<col class='diff-content' />
<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 17:56, 4 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L56" >Line 56:</td>
<td colspan="2" class="diff-lineno">Line 56:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Though the Multiphone’s success did provide this type of communal experience just as much as jukeboxes, the jukebox eventually defeated the Multiphone as the preferred coin-operated music player.  When the Multiphone was created, its ability to give listeners a choice of 170 titles was much greater than the jukeboxes that were available, but eventually new technologies were developed that allowed jukeboxes greater song capacity.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Though the Multiphone’s success did provide this type of communal experience just as much as jukeboxes, the jukebox eventually defeated the Multiphone as the preferred coin-operated music player.  When the Multiphone was created, its ability to give listeners a choice of 170 titles was much greater than the jukeboxes that were available, but eventually new technologies were developed that allowed jukeboxes greater song capacity.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>When 45rpm records were introduced in 1949, the Multiphone met its match.  This new format brought a wave of jukeboxes that could hold upwards of 100 song selections without the use of telephone lines. In 1959, <del class="diffchange diffchange-inline">Kenneth </del>accepted defeat and took the Multiphone off the market.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>When 45rpm records were introduced in 1949, the Multiphone met its match.  This new format brought a wave of jukeboxes that could hold upwards of 100 song selections without the use of telephone lines. In 1959, <ins class="diffchange diffchange-inline">Shyvers </ins>accepted defeat and took the Multiphone off the market.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Sound Cloud-Based Streaming: A Modern Application ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Sound Cloud-Based Streaming: A Modern Application ==</div></td></tr>
</table>Jha264http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=10445&oldid=prevJha264: /* Rise and Demise */2010-10-04T17:54:12Z<p><span dir="auto"><span class="autocomment">Rise and Demise</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
<col class='diff-content' />
<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 17:54, 4 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L56" >Line 56:</td>
<td colspan="2" class="diff-lineno">Line 56:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Though the Multiphone’s success did provide this type of communal experience just as much as jukeboxes, the jukebox eventually defeated the Multiphone as the preferred coin-operated music player.  When the Multiphone was created, its ability to give listeners a choice of 170 titles was much greater than the jukeboxes that were available, but eventually new technologies were developed that allowed jukeboxes greater song capacity.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Though the Multiphone’s success did provide this type of communal experience just as much as jukeboxes, the jukebox eventually defeated the Multiphone as the preferred coin-operated music player.  When the Multiphone was created, its ability to give listeners a choice of 170 titles was much greater than the jukeboxes that were available, but eventually new technologies were developed that allowed jukeboxes greater song capacity.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>When 45rpm records were introduced in 1949, the Multiphone met its match.  This new format brought a wave of jukeboxes that could hold upwards of 100 song selections without the use of telephone lines.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>When 45rpm records were introduced in 1949, the Multiphone met its match.  This new format brought a wave of jukeboxes that could hold upwards of 100 song selections without the use of telephone lines<ins class="diffchange diffchange-inline">. In 1959, Kenneth accepted defeat and took the Multiphone off the market</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Sound Cloud-Based Streaming: A Modern Application ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Sound Cloud-Based Streaming: A Modern Application ==</div></td></tr>
</table>Jha264http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=10444&oldid=prevJha264: /* Sound Cloud-Based Streaming: A Modern Application */2010-10-04T17:52:13Z<p><span dir="auto"><span class="autocomment">Sound Cloud-Based Streaming: A Modern Application</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
<col class='diff-content' />
<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 17:52, 4 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L60" >Line 60:</td>
<td colspan="2" class="diff-lineno">Line 60:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Sound Cloud-Based Streaming: A Modern Application ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Sound Cloud-Based Streaming: A Modern Application ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Today, the Internet has change the music industry irreversibly, record sales continue to decline and digital downloads are growing, but not at a high enough rate to satisfy many executives.  Due to this shifting landscape of musical consumption, many alternative ways of purchasing have been proposed.  One of these new purchasing methods, sound cloud-based streaming is very similar in concept to the Multiphone, Theatrophone and <del class="diffchange diffchange-inline">Electropne</del>'s use of telephone lines to broadcast music from one centralized source.  New sound cloud-based streaming is essentially the same idea, but wireless and obviously with much greater capacity.  This new method would allow customers stream music on demand from a sound cloud onto a mobile device such as an iPhone, iPad, or Blackberrt, which would be enable them to tap a music library much larger than what can be stored on the device itself very similar to the way Multiphone users communicated with disc jockeys in the Shyvers music library in Seattle during the 1930s.  Industry executives hope that this method will enable users to continue to purchase content, as they feared that consumers would slow down their purchasing due to the limitations that come with downloading music directly to a mobile device.  Many different streaming services have been available for mobile devices such as Rhapsody, but most notably Apple was rumored to be creating a new cloud-based iTunes update this past summer, due to its acquisition of the music streaming website LaLa.  Despite these rumors, the latest update of iTunes does not feature a new cloud based-streaming feature for mobile devices.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Today, the Internet has change the music industry irreversibly, record sales continue to decline and digital downloads are growing, but not at a high enough rate to satisfy many executives.  Due to this shifting landscape of musical consumption, many alternative ways of purchasing have been proposed.  One of these new purchasing methods, sound cloud-based streaming is very similar in concept to the Multiphone, Theatrophone and <ins class="diffchange diffchange-inline">Electrophone</ins>'s use of telephone lines to broadcast music from one centralized source.  New sound cloud-based streaming is essentially the same idea, but wireless and obviously with much greater capacity.  This new method would allow customers stream music on demand from a sound cloud onto a mobile device such as an iPhone, iPad, or Blackberrt, which would be enable them to tap a music library much larger than what can be stored on the device itself very similar to the way Multiphone users communicated with disc jockeys in the Shyvers music library in Seattle during the 1930s.  Industry executives hope that this method will enable users to continue to purchase content, as they feared that consumers would slow down their purchasing due to the limitations that come with downloading music directly to a mobile device.  Many different streaming services have been available for mobile devices such as Rhapsody, but most notably Apple was rumored to be creating a new cloud-based iTunes update this past summer, due to its acquisition of the music streaming website LaLa.  Despite these rumors, the latest update of iTunes does not feature a new cloud based-streaming feature for mobile devices.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td></tr>
</table>Jha264http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=10409&oldid=prevChristianoreste at 15:44, 4 October 20102010-10-04T15:44:23Z<p></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
<col class='diff-content' />
<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 15:44, 4 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L57" >Line 57:</td>
<td colspan="2" class="diff-lineno">Line 57:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>When 45rpm records were introduced in 1949, the Multiphone met its match.  This new format brought a wave of jukeboxes that could hold upwards of 100 song selections without the use of telephone lines.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>When 45rpm records were introduced in 1949, the Multiphone met its match.  This new format brought a wave of jukeboxes that could hold upwards of 100 song selections without the use of telephone lines.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">== Sound Cloud-Based Streaming: A Modern Application ==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Today, the Internet has change the music industry irreversibly, record sales continue to decline and digital downloads are growing, but not at a high enough rate to satisfy many executives.  Due to this shifting landscape of musical consumption, many alternative ways of purchasing have been proposed.  One of these new purchasing methods, sound cloud-based streaming is very similar in concept to the Multiphone, Theatrophone and Electropne's use of telephone lines to broadcast music from one centralized source.  New sound cloud-based streaming is essentially the same idea, but wireless and obviously with much greater capacity.  This new method would allow customers stream music on demand from a sound cloud onto a mobile device such as an iPhone, iPad, or Blackberrt, which would be enable them to tap a music library much larger than what can be stored on the device itself very similar to the way Multiphone users communicated with disc jockeys in the Shyvers music library in Seattle during the 1930s.  Industry executives hope that this method will enable users to continue to purchase content, as they feared that consumers would slow down their purchasing due to the limitations that come with downloading music directly to a mobile device.  Many different streaming services have been available for mobile devices such as Rhapsody, but most notably Apple was rumored to be creating a new cloud-based iTunes update this past summer, due to its acquisition of the music streaming website LaLa.  Despite these rumors, the latest update of iTunes does not feature a new cloud based-streaming feature for mobile devices.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="L64" >Line 64:</td>
<td colspan="2" class="diff-lineno">Line 69:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>McLuhan, Marshall. "Medium Is the Message." Understanding Media; the Extensions of  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>McLuhan, Marshall. "Medium Is the Message." Understanding Media; the Extensions of  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div> Man,. New York: McGraw-Hill, 1964. Print.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div> Man,. New York: McGraw-Hill, 1964. Print.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Van Buskirk, Eliot. "Apple Rumor Watch Part Infinity: Cloud-Based iTunes on June 7." Wired.com. Web. 3 Oct 2010. <http://www.wired.com/epicenter/2010/05/apple-rumor-watch-part-infinity-cloud-based-itunes-on-june-7/></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>van Dijck, José. "Record and Hold: Popular Music between Personal and Collective Memory." Critical Studies in Media Communication 23.5 (2006): 357-374. Communication & Mass Media Complete. EBSCO. Web. 3 Oct. 2010.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>van Dijck, José. "Record and Hold: Popular Music between Personal and Collective Memory." Critical Studies in Media Communication 23.5 (2006): 357-374. Communication & Mass Media Complete. EBSCO. Web. 3 Oct. 2010.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="L82" >Line 82:</td>
<td colspan="2" class="diff-lineno">Line 89:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Parts Ersatzteile Jukeboxparts Musikbox Anzeigenmarkt Forum AMI Rowe Rock-Ola Seeburg NSM Wiegandt Tonomat.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Parts Ersatzteile Jukeboxparts Musikbox Anzeigenmarkt Forum AMI Rowe Rock-Ola Seeburg NSM Wiegandt Tonomat.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Web. 01 Oct. 2010. <http://www.jukebox-world.de/Forum/Archiv/USA/Shyvers.htm>.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Web. 01 Oct. 2010. <http://www.jukebox-world.de/Forum/Archiv/USA/Shyvers.htm>.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">"What's New in iTunes?." Apple.com. Web. 03 Oct 2010. <http://www.apple.com/itunes/whats-new/></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Dossier]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Dossier]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Fall 2010]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Fall 2010]]</div></td></tr>
</table>Christianorestehttp://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=10408&oldid=prevJha264: /* Rise and Demise */2010-10-04T15:41:29Z<p><span dir="auto"><span class="autocomment">Rise and Demise</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
<col class='diff-content' />
<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 15:41, 4 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L55" >Line 55:</td>
<td colspan="2" class="diff-lineno">Line 55:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Though the Multiphone’s success did provide this type of communal experience just as much as jukeboxes, the jukebox eventually defeated the Multiphone as the preferred coin-operated music player.  When the Multiphone was created, its ability to give listeners a choice of 170 titles was much greater than the jukeboxes that were available, but eventually new technologies were developed that allowed jukeboxes greater song capacity.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Though the Multiphone’s success did provide this type of communal experience just as much as jukeboxes, the jukebox eventually defeated the Multiphone as the preferred coin-operated music player.  When the Multiphone was created, its ability to give listeners a choice of 170 titles was much greater than the jukeboxes that were available, but eventually new technologies were developed that allowed jukeboxes greater song capacity.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">When 45rpm records were introduced in 1949, the Multiphone met its match.  This new format brought a wave of jukeboxes that could hold upwards of 100 song selections without the use of telephone lines.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td></tr>
</table>Jha264http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=10385&oldid=prevJha264: /* Rise and Demise */2010-10-04T04:29:50Z<p><span dir="auto"><span class="autocomment">Rise and Demise</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
<col class='diff-content' />
<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 04:29, 4 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L51" >Line 51:</td>
<td colspan="2" class="diff-lineno">Line 51:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The success of the Multiphone coincides with the success of the jukebox.  In the 1930s, the United States was in the midst of major turmoil.  The Great Depression brought about intense unemployment due to the failure of thousands of banks and the stock market crash.  The people of America needed an escape from these hard times, and the jukebox was there to provide it for them.  As Gert J. Almind writes in his history of jukeboxes, "With nothing but a nickel in ones pocket, some popular music, and a little light effect, one could dream away for a brief moment in the ordinary daily life, and the jukebox could or should expect better times as a cultural phenomenon" (33).  The popularity of jukeboxes rose throughout the 1930s, and eventually became a sustainable industry in which manufacturers competed with each other due to a growing demand.  Diners, bars, and saloons looked closely at different models and their production years when purchasing a jukebox for their business.   </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The success of the Multiphone coincides with the success of the jukebox.  In the 1930s, the United States was in the midst of major turmoil.  The Great Depression brought about intense unemployment due to the failure of thousands of banks and the stock market crash.  The people of America needed an escape from these hard times, and the jukebox was there to provide it for them.  As Gert J. Almind writes in his history of jukeboxes, "With nothing but a nickel in ones pocket, some popular music, and a little light effect, one could dream away for a brief moment in the ordinary daily life, and the jukebox could or should expect better times as a cultural phenomenon" (33).  The popularity of jukeboxes rose throughout the 1930s, and eventually became a sustainable industry in which manufacturers competed with each other due to a growing demand.  Diners, bars, and saloons looked closely at different models and their production years when purchasing a jukebox for their business.   </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The jukebox and the Multiphone provided a communal listening experience.  Just as we have our own versions of communal listening through sharing music on the Internet and with iPods, the people of the 1930s and 1940s had coin-operated music players.  The Multiphone and jukeboxes created a new “social practice” of listening to the same music together as media scholar Jose van Dijck says in his article “Record and Hold: Popular Music between personal and Collective memory.”  According to Dijck, a listener’s memory of music cannot be removed from the context in which it was experienced.  For the people during the age of the Multiphone and jukeboxes, the conversations at bars and diners about selecting a song to play made a special place in listeners’ minds.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The jukebox and the Multiphone provided a communal listening experience.  Just as we<ins class="diffchange diffchange-inline">, in the 21st century, </ins>have our own versions of communal listening through sharing music on the Internet and with iPods, the people of the 1930s and 1940s had coin-operated music players.  The Multiphone and jukeboxes created a new “social practice” of listening to the same music together as media scholar Jose van Dijck says in his article “Record and Hold: Popular Music between personal and Collective memory.”  According to Dijck, a listener’s memory of music cannot be removed from the context in which it was experienced.  For the people during the age of the Multiphone and jukeboxes, the conversations at bars and diners about selecting a song to play made a special place in listeners’ minds.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>More importantly, this very practice of going to a public place to listen to music is the effect of the technology’s power to create new rituals and thinking as media scholar, Marshall McLuhan discusses in his pivotal work, “The Medium Is The Message.”  Regardless of what the jukebox or Multiphone is playing, McLuhan would argue that the fact that they are listening and using the machine is reconstructing the “scale and form of human association and action” (9).  For people using Multiphones and jukeboxes during the height of their popularity, new associations of entertainment and social activities were created with the technology.  For those people, it allowed them to at the time take a break from their struggles during the Great Depression through listening to music.   </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>More importantly, this very practice of going to a public place to listen to music is the effect of the technology’s power to create new rituals and thinking as media scholar, Marshall McLuhan discusses in his pivotal work, “The Medium Is The Message.”  Regardless of what the jukebox or Multiphone is playing, McLuhan would argue that the fact that they are listening and using the machine is reconstructing the “scale and form of human association and action” (9).  For people using Multiphones and jukeboxes during the height of their popularity, new associations of entertainment and social activities were created with the technology.  For those people, it allowed them to at the time take a break from their struggles during the Great Depression through listening to music.   </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Jha264http://cultureandcommunication.org/deadmedia/index.php?title=Multiphone&diff=10384&oldid=prevChristianoreste: /* References */2010-10-04T04:03:14Z<p><span dir="auto"><span class="autocomment">References</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
<col class='diff-content' />
<col class='diff-marker' />
<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 04:03, 4 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L59" >Line 59:</td>
<td colspan="2" class="diff-lineno">Line 59:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Athitakis, Mark. "Riff Raff: Jukebox Hero and Gordon Dorsey." SF Weekly 01 Dec 1999: n. pag. Web. 3 Oct 2010. <http://www.sfweekly.com/1999-12-01/music/riff-raff/>.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Athitakis, Mark. "Riff Raff: Jukebox Hero and Gordon Dorsey." SF Weekly 01 Dec 1999: n. pag. Web. 3 Oct 2010. <http://www.sfweekly.com/1999-12-01/music/riff-raff/>.  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">McLuhan, Marshall. "Medium Is the Message." Understanding Media; the Extensions of </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> Man,. New York: McGraw-Hill, 1964. Print.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">van Dijck, José. "Record and Hold: Popular Music between Personal and Collective Memory." Critical Studies in Media Communication 23.5 (2006): 357-374. Communication & Mass Media Complete. EBSCO. Web. 3 Oct. 2010.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://coin-o-phone.com/history.pdf</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://coin-o-phone.com/history.pdf</div></td></tr>
</table>Christianoreste