http://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&feed=atom&action=historyDuplicating Polygraph - Revision history2024-03-28T16:53:25ZRevision history for this page on the wikiMediaWiki 1.25.2http://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=12702&oldid=prevFinnb: Undo revision 12524 by Egugecuge (Talk)2010-11-24T14:50:12Z<p>Undo revision 12524 by <a href="/deadmedia/index.php/Special:Contributions/Egugecuge" title="Special:Contributions/Egugecuge">Egugecuge</a> (<a href="/deadmedia/index.php?title=User_talk:Egugecuge&action=edit&redlink=1" class="new" title="User talk:Egugecuge (page does not exist)">Talk</a>)</p>
<a href="http://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=12702&oldid=12524">Show changes</a>Finnbhttp://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=12524&oldid=prevEgugecuge at 04:31, 24 November 20102010-11-24T04:31:12Z<p></p>
<a href="http://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=12524&oldid=7952">Show changes</a>Egugecugehttp://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=7952&oldid=prevAlex at 03:55, 8 April 20102010-04-08T03:55:24Z<p></p>
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</table>Alexhttp://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=7850&oldid=prevAlex at 03:45, 8 April 20102010-04-08T03:45:50Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Woodcroft, Bennet. ''Titles of Patents of Invention: Chronologically Arranged From March 2, 1617 (14 James I.) to October 1, 1852 (16 Victoria)''. London: 1854.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Woodcroft, Bennet. ''Titles of Patents of Invention: Chronologically Arranged From March 2, 1617 (14 James I.) to October 1, 1852 (16 Victoria)''. London: 1854.</div></td></tr>
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</table>Alexhttp://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=7092&oldid=prevGillian Young: /* Advertisement and Reception in America */2010-03-08T17:33:28Z<p><span dir="auto"><span class="autocomment">Advertisement and Reception in America</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>;References</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>;References</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''American Citizen'', New York, July 14, 1804.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''American Citizen'', New York, <ins class="diffchange diffchange-inline">July 6 and </ins>July 14, 1804.</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Bedini, Silvio A. ''Thomas Jefferson and His Copying Machines.'' Charlottesville: University Press of Virginia, 1984.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Bedini, Silvio A. ''Thomas Jefferson and His Copying Machines.'' Charlottesville: University Press of Virginia, 1984.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Crary, Jonathan. ''Techniques of the Observer: On Vision and Modernity in the Nineteenth Century''. Cambridge: MIT Press, 1990.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Crary, Jonathan. ''Techniques of the Observer: On Vision and Modernity in the Nineteenth Century''. Cambridge: MIT Press, 1990.</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''Republican Watch-Tower'', New York, July 16, 1804.</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Salem Gazette'', Massachusetts, September 5, 1803.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Salem Gazette'', Massachusetts, September 5, 1803.</div></td></tr>
</table>Gillian Younghttp://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=7088&oldid=prevGillian Young: /* Advertisement and Reception in America */2010-03-08T17:31:18Z<p><span dir="auto"><span class="autocomment">Advertisement and Reception in America</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>;References</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>;References</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''American Citizen'', New York, July 14, 1804.</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Bedini, Silvio A. ''Thomas Jefferson and His Copying Machines.'' Charlottesville: University Press of Virginia, 1984.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Bedini, Silvio A. ''Thomas Jefferson and His Copying Machines.'' Charlottesville: University Press of Virginia, 1984.</div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Woodcroft, Bennet. ''Titles of Patents of Invention: Chronologically Arranged From March 2, 1617 (14 James I.) to October 1, 1852 (16 Victoria)''. London: 1854.</del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Crary, Jonathan. ''Techniques of the Observer: On Vision and Modernity in the Nineteenth Century''. Cambridge: MIT Press, 1990.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Crary, Jonathan. ''Techniques of the Observer: On Vision and Modernity in the Nineteenth Century''. Cambridge: MIT Press, 1990.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''Federal Gazette'', Baltimore, June 15, 1804.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Fleming, Thomas. ''Duel: Alexander Hamilton, Aaron Burr and the Future of America''. New York: Basic Books, 1999.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Fleming, Thomas. ''Duel: Alexander Hamilton, Aaron Burr and the Future of America''. New York: Basic Books, 1999.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="L160" >Line 160:</td>
<td colspan="2" class="diff-lineno">Line 163:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Kittler, Friedrich. ''Gramophone, Film, Typewriter''. Trans. Winthrop-Young, Geoffrey and Michael Wutz. Stanford: Stanford UP, 1992.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Kittler, Friedrich. ''Gramophone, Film, Typewriter''. Trans. Winthrop-Young, Geoffrey and Michael Wutz. Stanford: Stanford UP, 1992.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''Poulson's American Daily Advertiser'', Philadelphia, October 3, 1803 and July 10, 1805.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''Salem Gazette'', Massachusetts, September 5, 1803.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Vismann, Cornelia. ''Files: Law and Media Technology''. Stanford: Stanford University Press, 2008.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Vismann, Cornelia. ''Files: Law and Media Technology''. Stanford: Stanford University Press, 2008.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Woodcroft, Bennet. ''Titles of Patents of Invention: Chronologically Arranged From March 2, 1617 (14 James I.) to October 1, 1852 (16 Victoria)''. London: 1854.</ins></div></td></tr>
</table>Gillian Younghttp://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=7070&oldid=prevGillian Young: /* Advertisement and Reception in America */2010-03-08T17:15:38Z<p><span dir="auto"><span class="autocomment">Advertisement and Reception in America</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
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<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 17:15, 8 March 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L89" >Line 89:</td>
<td colspan="2" class="diff-lineno">Line 89:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Every invention that saves labour and time merits attention and approbation of the inhabitants of America [...] My desire to promote the manufactory of an invention which promises to become to generally useful, prompts me to superintend a work of machinery to perform several similar movements, which I know must be executed with great accuracy, otherwise the best of intentions might be destroyed or lost to the public, wherefore I have spared neither labour or expense to simplify the machinery'' (qtd. in Bedini 52-53).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Every invention that saves labour and time merits attention and approbation of the inhabitants of America [...] My desire to promote the manufactory of an invention which promises to become to generally useful, prompts me to superintend a work of machinery to perform several similar movements, which I know must be executed with great accuracy, otherwise the best of intentions might be destroyed or lost to the public, wherefore I have spared neither labour or expense to simplify the machinery'' (qtd. in Bedini 52-53).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Peale employed two cabinet makers to build the machines. While the well-built, carefully tested polygraph was easy to use, because of its meticulous construction, it was not so easy to fix. Heavily invested in their performance, Peale was often on call to fix and improve the machines. The reputation of a burgeoning technology was at stake, and, akin to the signature or the spoken guarantee, Peale's commitment to servicing the machines attached a certain ethos to commerce: "I most certainly prefer their falling into the hands of good men as I wish to work only for such".  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Peale employed two cabinet makers to build the machines. While the well-built, carefully tested polygraph was easy to use, because of its meticulous construction, it was not so easy to fix. Heavily invested in their performance, Peale was often on call to fix and improve the machines. The reputation of a burgeoning technology was at stake, and, akin to the signature or the spoken guarantee, Peale's commitment to servicing the machines attached a certain ethos to commerce: "I most certainly prefer their falling into the hands of <ins class="diffchange diffchange-inline">''</ins>good<ins class="diffchange diffchange-inline">'' </ins>men as I wish to work only for such".  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image: peale ad.jpg|300px|thumb|right|Advertisement printed in ''Poulson's American Daily Advertiser'', Jul. 10, 1805.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image: peale ad.jpg|300px|thumb|right|Advertisement printed in ''Poulson's American Daily Advertiser'', Jul. 10, 1805.]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>It is no surprise, therefore, that Peale "signed" all of his advertisements by printing his name in italicized letters above or below. It is also telling that signature machines - which conserve both labor and authenticity - are the primary remediation of the polygraph (Bedini 199).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>It is no surprise, therefore, that Peale "signed" all of his advertisements by printing his name in italicized letters above or below. It is also telling that signature machines - which conserve both labor and authenticity - are the primary remediation of the polygraph (Bedini 199).</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="L132" >Line 132:</td>
<td colspan="2" class="diff-lineno">Line 132:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Peale sold one polygraph during his week-long demonstration at the Tontine, to the diplomat John Armstrong (Bedini 86). This sale, along with continued support from the recently re-elected Jefferson, encouraged Peale to promote polygraphs to government offices. Peale traveled to Washington in December of 1804, and demonstrated the machine to members of Congress. While the statesmen admired the contrivance, Peale sold no polygraphs during his two-week stay (Bedini 101).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Peale sold one polygraph during his week-long demonstration at the Tontine, to the diplomat John Armstrong (Bedini 86). This sale, along with continued support from the recently re-elected Jefferson, encouraged Peale to promote polygraphs to government offices. Peale traveled to Washington in December of 1804, and demonstrated the machine to members of Congress. While the statesmen admired the contrivance, Peale sold no polygraphs during his two-week stay (Bedini 101).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Image: duel-hamilton-burr.jpg|thumb|right|The duel between Hamilton and Burr, Jul. 11, 1804, Weehawken, New Jersey.]]</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Image: duel-hamilton-burr.jpg<ins class="diffchange diffchange-inline">|300px</ins>|thumb|right|The duel between Hamilton and Burr, Jul. 11, 1804, Weehawken, New Jersey.]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Interestingly, Peale’s final announcement for his demonstration at the Tontine Coffee House on July 14th was printed next to death notice for the statesman Alexander Hamilton on the front pages of the ''New-York Gazette'' and the ''Republican Watch-Tower''. Hamilton had been shot two days prior, in a duel with Aaron Burr - the former vice president who bought a polygraph in early 1804. Burr had recently campaigned for governor of New York. During Burr’s unsuccessful run, Hamilton – a political rival – had joined the chorus of insults published in Federalist papers. What ultimately sparked Burr's challenge to Hamilton was a letter written by Charles D. Cooper published in the ''Albany Evening-Post'', which described Hamilton calling Burr "despicable" at a dinner party (Fleming 231).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Interestingly, Peale’s final announcement for his demonstration at the Tontine Coffee House on July 14th was printed next to death notice for the statesman Alexander Hamilton on the front pages of the ''New-York Gazette'' and the ''Republican Watch-Tower''. Hamilton had been shot two days prior, in a duel with Aaron Burr - the former vice president who bought a polygraph in early 1804. Burr had recently campaigned for governor of New York. During Burr’s unsuccessful run, Hamilton – a political rival – had joined the chorus of insults published in Federalist papers. What ultimately sparked Burr's challenge to Hamilton was a letter written by Charles D. Cooper published in the ''Albany Evening-Post'', which described Hamilton calling Burr "despicable" at a dinner party (Fleming 231).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Gillian Younghttp://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=6986&oldid=prevGillian Young: /* Actions and words */2010-03-08T15:46:06Z<p><span dir="auto"><span class="autocomment">Actions and words</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
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<col class='diff-content' />
<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 15:46, 8 March 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L142" >Line 142:</td>
<td colspan="2" class="diff-lineno">Line 142:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The ''Watch-Tower'' even reproduced Hamilton’s will: “In testimony whereof, I have hereto subscribed my hand.”   </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The ''Watch-Tower'' even reproduced Hamilton’s will: “In testimony whereof, I have hereto subscribed my hand.”   </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The <del class="diffchange diffchange-inline">discourse </del>of slander<del class="diffchange diffchange-inline">, misunderstanding, </del>and authenticity that <del class="diffchange diffchange-inline">surrounds </del>the duel is marked by the specter of “the hand” - crucial to this spectacle of man-to-man confrontation, but necessarily excluded from print. As the shared space of the July 14th front page suggests, this discourse also surrounds the polygraph: a technology that, for a moment, established an equivalence between "the essential realm of the hand," to recall Heidegger's words, and mechanical reproduction.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The <ins class="diffchange diffchange-inline">anxieties </ins>of <ins class="diffchange diffchange-inline">libel and </ins>slander and <ins class="diffchange diffchange-inline">the discourse of </ins>authenticity that <ins class="diffchange diffchange-inline">surround </ins>the duel is marked by the specter of “the hand” - crucial to this spectacle of man-to-man confrontation, but necessarily excluded from print. As the shared space of the July 14th front page suggests, this discourse also surrounds the polygraph: a technology that, for a moment, established an equivalence between "the essential realm of the hand," to recall Heidegger's words, and mechanical reproduction.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Gillian Younghttp://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=6974&oldid=prevGillian Young: /* Actions and words */2010-03-08T15:39:50Z<p><span dir="auto"><span class="autocomment">Actions and words</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 15:39, 8 March 2010</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image: duel-hamilton-burr.jpg|thumb|right|The duel between Hamilton and Burr, Jul. 11, 1804, Weehawken, New Jersey.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image: duel-hamilton-burr.jpg|thumb|right|The duel between Hamilton and Burr, Jul. 11, 1804, Weehawken, New Jersey.]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Interestingly, Peale’s final announcement for his demonstration at the Tontine on July 14th was printed next to death notice for Alexander Hamilton on the front pages of the ''New-York Gazette'' and the ''Republican Watch-Tower''. Hamilton had been shot two days prior, in a duel with Aaron Burr - the former vice president who bought a polygraph in early 1804. Burr had recently campaigned for governor of New York. During Burr’s unsuccessful run, Hamilton – a political rival – had joined the chorus of insults published in Federalist papers. What ultimately sparked Burr's challenge to Hamilton was a letter written by <del class="diffchange diffchange-inline">third-party </del>published in the ''Albany Evening-Post'' which described Hamilton calling Burr "despicable" at a dinner party (Fleming 231).</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Interestingly, Peale’s final announcement for his demonstration at the Tontine <ins class="diffchange diffchange-inline">Coffee House </ins>on July 14th was printed next to death notice for <ins class="diffchange diffchange-inline">the statesman </ins>Alexander Hamilton on the front pages of the ''New-York Gazette'' and the ''Republican Watch-Tower''. Hamilton had been shot two days prior, in a duel with Aaron Burr - the former vice president who bought a polygraph in early 1804. Burr had recently campaigned for governor of New York. During Burr’s unsuccessful run, Hamilton – a political rival – had joined the chorus of insults published in Federalist papers. What ultimately sparked Burr's challenge to Hamilton was a letter written by <ins class="diffchange diffchange-inline">Charles D. Cooper </ins>published in the ''Albany Evening-Post''<ins class="diffchange diffchange-inline">, </ins>which described Hamilton calling Burr "despicable" at a dinner party (Fleming 231).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Several days after Hamilton’s death, <del class="diffchange diffchange-inline">the controversy between Burr and Hamilton was submitted to the public sphere: </del>the ''Republican Watch-Tower'' <del class="diffchange diffchange-inline">printed </del>the <del class="diffchange diffchange-inline">correspondence </del>between <del class="diffchange diffchange-inline">Burr and Hamilton leading up to </del>the <del class="diffchange diffchange-inline">duel</del>. This posthumous <del class="diffchange diffchange-inline">expose </del>was not surprising: <del class="diffchange diffchange-inline">published letters </del>had sparked the duel and <del class="diffchange diffchange-inline">haunted </del>the strained <del class="diffchange diffchange-inline">correspondence that proceeded </del>it. As historian Thomas Fleming writes, Hamilton "had no doubt that he wrote a humble apology to Burr, it would appear in the ''Morning Chronicle'' the next day" (Fleming 288).</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Several days after Hamilton’s death, the ''Republican Watch-Tower'' <ins class="diffchange diffchange-inline">publicized </ins>the <ins class="diffchange diffchange-inline">controversy </ins>between the <ins class="diffchange diffchange-inline">two statesmen by printing their private correspondence</ins>. This posthumous <ins class="diffchange diffchange-inline">exposé </ins>was not surprising: <ins class="diffchange diffchange-inline">the publication of Cooper's letter </ins>had sparked the duel<ins class="diffchange diffchange-inline">, </ins>and the <ins class="diffchange diffchange-inline">prospect of publicity </ins>strained <ins class="diffchange diffchange-inline">the communication leading up to </ins>it. As historian Thomas Fleming writes, Hamilton "had no doubt that <ins class="diffchange diffchange-inline">if </ins>he wrote a humble apology to Burr, it would appear in the ''Morning Chronicle'' the next day" (Fleming 288).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The following was printed in the ''Republican Watch-Tower'' on July 16, 1804:</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The following was printed in the ''Republican Watch-Tower'' on July 16, 1804:</div></td></tr>
</table>Gillian Younghttp://cultureandcommunication.org/deadmedia/index.php?title=Duplicating_Polygraph&diff=6953&oldid=prevGillian Young: /* Actions and words */2010-03-08T15:23:11Z<p><span dir="auto"><span class="autocomment">Actions and words</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 15:23, 8 March 2010</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image: tontine announcement.jpg|500px|thumb|left|Peale's invitation to "the citizens of New York" printed in the American Citizen, New York, Jul. 6, 1804.]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image: tontine announcement.jpg|500px|thumb|left|Peale's invitation to "the citizens of New York" printed in the American Citizen, New York, Jul. 6, 1804.]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In July 1804, Peale traveled to New York City to demonstrate at the Tontine Coffee House for two weeks. He was sure to place announcements in several New York papers, that, as David Henkin writes in his book ''City Reading: Written Words and Public Spaces in Antebellum New York'', “functioned as sites of public opinion and critical discussion of public affairs” at the turn of the nineteenth century. These papers “evoked broad networks of international shipping and commerce and reproduced a mode of discourse associated with the salon,” and the Tontine was “the symbolic center of this world” (Henkin 123). Thus the public space in which Peale chose to demonstrate the polygraph was more accurately a public sphere: an imagined community that corresponded to a certain vision of the polygraph’s market (Henkin 123).</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In July 1804, Peale traveled to New York City to demonstrate <ins class="diffchange diffchange-inline">the polygraph </ins>at the Tontine Coffee House for two weeks. He was sure to place announcements in several New York papers, that, as David Henkin writes in his book ''City Reading: Written Words and Public Spaces in Antebellum New York'', “functioned as sites of public opinion and critical discussion of public affairs” at the turn of the nineteenth century. These papers “evoked broad networks of international shipping and commerce and reproduced a mode of discourse associated with the salon,” and the Tontine was “the symbolic center of this world” (Henkin 123). Thus the public space in which Peale chose to demonstrate the polygraph was more accurately a public sphere: an imagined community that corresponded to a certain vision of the polygraph’s market (Henkin 123).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The polygraph caught the attention of Tontine patrons, who, in the spirit of public debate, by turns marveled at the machine and <del class="diffchange diffchange-inline">contested </del>that they had seen the same <del class="diffchange diffchange-inline">model </del>in France - most likely referring to Brunel's earlier <del class="diffchange diffchange-inline">make </del>(Bedini 85-86). When the crowd became too loud, Peale expressed himself by scribbling away with the polygraph. “I very frequently wrote answers to what they were saying—that had <del class="diffchange diffchange-inline">to </del>bad effect I could rub those kind of grumbling geniuses pretty hardly without seeming to pay attention to what was said," Peale remarked in his diary, "and all the by standers were continually reading what I wrote” (qtd. in Bedini 86). Peale thus answered the skeptical crowd by performing the functionality of the medium: <del class="diffchange diffchange-inline">a copy of </del>a handwritten copy <del class="diffchange diffchange-inline">produced </del>simultaneously with the original.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The polygraph caught the attention of Tontine patrons, who, in the spirit of public debate, by turns marveled at the machine and <ins class="diffchange diffchange-inline">dismissed it, contesting </ins>that they had seen the same <ins class="diffchange diffchange-inline">technology </ins>in France - most likely referring to Brunel's earlier <ins class="diffchange diffchange-inline">model </ins>(Bedini 85-86). When the crowd became too loud, Peale expressed himself by scribbling away with the polygraph. “I very frequently wrote answers to what they were saying—that had <ins class="diffchange diffchange-inline">no </ins>bad effect I could rub those kind of grumbling geniuses pretty hardly without seeming to pay attention to what was said," Peale remarked in his diary, "and all the by standers were continually reading what I wrote” (qtd. in Bedini 86). Peale thus answered the skeptical crowd by performing the functionality of the medium: <ins class="diffchange diffchange-inline">producing </ins>a handwritten copy simultaneously with the original.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Peale sold one polygraph during his week-long demonstration at the Tontine, to the diplomat John Armstrong (Bedini 86). This sale, along with continued support from the recently re-elected Jefferson, encouraged Peale to promote polygraphs to government offices. Peale traveled to Washington in December of 1804, and demonstrated the machine to members of Congress. While the statesmen admired the contrivance, Peale sold no polygraphs during his two-week stay (Bedini 101).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Peale sold one polygraph during his week-long demonstration at the Tontine, to the diplomat John Armstrong (Bedini 86). This sale, along with continued support from the recently re-elected Jefferson, encouraged Peale to promote polygraphs to government offices. Peale traveled to Washington in December of 1804, and demonstrated the machine to members of Congress. While the statesmen admired the contrivance, Peale sold no polygraphs during his two-week stay (Bedini 101).</div></td></tr>
</table>Gillian Young